作品年表(舞臺劇)
| 作品 |
| Rushmore, Anna Theresa Cascio, American Conservatory Theatre |
| The Great Fugue, Dakin Matthews, American Conservatory Theatre |
| Food and Shelter, Jane Anderson, American Conservatory Theatre |
| The Wilderness, Cao Yu, American Conservatory Theatre |
| Wink-dah, William Yellow Robe, American Conservatory Theatre |
| The Love of Don Perlimplin and Belisa In the Garden, Federico Garcia Lorca, Conservatory, American Conservatory Theatre |
| FOB, David Henry Hwang, Conservatory, American Conservatory Theatre |
| Peking Man, Cao Yu, adapted by C. Yao, National Theatre of Taiwan |
| M. Butterfly, David Henry Hwang, co-directed with Robert Kelley, Theatreworks |
| Vital Signs, Jane Martin, Theatreworks |
| Holy Food, Jessica Hegadorn, Magic Theatre |
| The Merchant of Venice, W. Shakespeare, Asian American Theatre Company |
| The Sound of A Voice, The House of Sleeping Beauties, David Henry Hwang, Asian American Theatre |
| Those Lips That Love’s Own Hand Did Make, Valley Shakespearean Festival |
| A New Age Is Dawning,Will Huddleston, California Theatre Center |
| The Lover, Harold Pinter, Phoenix Theatre |
| Graceland, Ellen Byron, Edinburgh Festival Fringe |
| Pirates of Penzance, W.S. Gilbert and Arthur Sullivan, Stanford Savoyards |
| Ruddigore, W.S. Gilbert and Arthur Sullivan, Stanford Savoyards |
| Tienanmen, Yau-gene Chan, University of California, Los Angeles |
| The Good Woman of Setzuan, Bertolt Brecht. Wellesley College Theatre |
| Endgame, Samuel Beckett. Wellesley College Theatre |
| L’Amfiparnaso, Orazio Vecchi, Wellesley College Theatre |
| Three Thousand Red Ants, Lawrence Ferlinghetti, Dept. of Drama, Stanford University |
| Snow White, a play in Chinese written by myself, Dept. of Chinese Literature,National Taiwan University |
|
|
作品年表(電影)
| 作品 |
| Into the Subways, 16mm color, 18 minutes |
| A Day of Eric, 16mm, black and white, 12 minutes |
| Empire of Silver |
|
|
作品年表(小說創作、文學理論)
| 作品 |
| “Cloud is Gone, ” Pioneer, Taipei |
| “Flowers from Angels,” Modern Literature, no. 47, Taipei |
| “The Ball,” Modern Literature, no. 48, Taipei |
| “The End,” Youth Literature, no. 36-3, Taipei |
| “Epitaph,” The New Waves, no.23, Taipei: 1971 |
| “The Design Within: The symbolic Structure in Hsi- hsiang-chi,” Etudes d’Histoire et de Litterature Chinoises, Paris |
| Review:“Popular Chinese Literature and Performing Arts in the people’s Republic of China, 1949-1979,” ed.by Bonnie S. McDougall, Modern Chinese Literature. Vol. 3, San Franisco, |
| “Doerh,”Literature Quarterly, no. 3, Taipei |
|
|
|